01
The door
You meet a door before you meet a person.
No photo grid. No bio. A door with a name on it.
Browsing shows one person at a time, drawn as the door to their room. Doors are stacked, and you move by swiping down — each floor further from your own taste than the last. The vertical axis is closeness, not pagination. There is no swipe sideways, and nothing to accept or reject.
02
The room
What a door opens into.
Your taste, built as a place you can walk around in.
A room is assembled from what you actually love. Every region is bound to one part of your taste, and it fills itself from the services you connect. Walk in, and the objects are the person.
The vinyl corner
Your most-played artist on the turntable, the rest in the crate beside it.
The shelf
Books you have actually read, each carrying its own cover.
The screens
A show playing on the TV, a film on the projection wall.
The rack
Games in cases beside the console, manga on the storefront shelf.
An empty region stays empty rather than disappearing. The gap is the invitation — it shows you exactly what the room is still missing.
03
Why nobody else can do this
Every service sees one slice. We see them together.
Spotify cannot get there without becoming a books company.
Spotify knows your music. Letterboxd knows your films. Goodreads knows your books, AniList your anime, Steam your games. None of them can see across the gaps — and the interesting things only exist in the gaps.
Rarity
How unusual a thing you love actually is, measured against everyone else. The rarest objects in a room glow.
Bridge objects
The single item that links two of your domains — the book that explains your music.
Cross-domain pull
What people who love what you love in one place tend to love in another.
Blind spots
The thing you would obviously love and have somehow never touched.
04
What you will not find
No percentages. Anywhere.
A number tells you how much. It never tells you what.
TasteSync never shows a compatibility score. Closeness is carried by the room itself — its colour warms as you get nearer someone, and the things you both love surface first and brighter. You learn what you share by seeing it on a shelf, not by reading a figure.
There is no questionnaire and no personality test, because your listening history is more honest than anything you would type about yourself.
05
Where it comes from
Connect what you already use.
Link as many or as few as you like. One is enough to open a room.
06
What we refuse to ask
These are not fields in our database.
Not "not yet" — not at all. What is never collected cannot leak, and it keeps TasteSync from quietly turning into something it is not.
- Gender
- Sexuality
- Precise location
- Job
- Education
- Height
- Relationship intent
What we do keep is listed, field by field, in the privacy policy.
07
Not open yet
Be there when the first door opens.
TasteSync is still being built. Leave your email and we will tell you once — when you can actually sign up.